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Of course, if your Mac was built before 2011, or if it’s a new Mac Pro (which uses Intel’s server chipset and so doesn’t have QuickSync) then you won’t see quite the transcoding acceleration that newer MacBooks Pros, Airs and iMacs will bring. The user interface provides (editable) presets for the encoding format and you can burn in a LUT if required. There is a great deal of flexibility in the output filename, with auto-incrementing file numbers, creation date and so on, but you can also use any of the input files’ metadata in the output filename – for example camera name, reel name or shot/take information. The UI also allows you to edit metadata – either for individual files or as a batch.Īs a simple way of converting your camera files, EditReady is an attractive package, but it sells itself on its speed – and it is really fast. Quicktime, Compressor and Adobe’s Media Encoder were nowhere close – EditReady isn’t just a few percent faster, in our tests it was nearly twice as fast as Media Encoder and three times as fast as Compressor (single node) and Quicktime. EditReady was faster than the others even on a 2008 Mac Pro, which has none of the hardware acceleration of newer machines, though I presume that some of the calculations were still off-loaded to the GPU. It’s worth noting that the results from EditReady were different to the results from the other packages, but only in a few least significant bits.
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I used Quicktime as the reference, producing ProRes 422 files, as I reckoned that Apple software using an Apple CODEC was a sensible starting place. Although there was no visible difference between these files and the ones generated by EditReady, the picture data in the files were different – not wrong, just different. To be fair, I have observed more serious problems with Media Encoder in the past…ĮditReady can also be used to produce H.264 files, for instance as viewing copies for internet transmission.
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One feature missing from the software is the ability to change frame size, so you can’t output a full resolution 1080p file and use EditReady to produce a quarter resolution H.264 file. It’s a minor inconvenience.ĮditReady is $50 as a download ( customers have been a driving force in our product development and roadmap from day one," said Paul Matthijs, co-founder and CEO of Hedge. "These product releases are a direct result of their most popular and persistent requests, and customers actively helped in testing these releases in their workflows.
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Today, we're proud to announce Hedge Elements, EditReady RAW, and Canister Spanning and Preflight Checks: three major updates that we can pretty much guarantee will make your life as a video professional easier."ĮditReady, a transcoding application, now supports RAW video, including ARRI RAW, Codex HDE, ProRes RAW, and RED R3D, and Blackmagic RAW. First, it has to be processed and adjusted to a format and "look" that suits the editor and the editing workflow.ĮditReady converts camera RAW footage into the Log format native to the camera manufacturer.
Log workflows are simple and well established. For NLEs that don’t support a particular flavor of RAW, film and videomakers can convert, for example, Blackmagic RAW to Apple ProRes, quickly and accurately.Įlements are Hedge's term for the varied and customizable metadata that users can now associate (and keep) with a file to clarify the role of that file to other creative and technical professionals later in the workflow. Hedge customers reported that this is a serious and growing problem, forcing editors to spend valuable creative time naming and annotating incoming files.
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